Broken Bodies, Defiant Witches, and Weeping Men: An Interview with Mithu Sen. (ENG)

The Interwined Worlds of Science Fiction, Mysticism, and Feminism: An Interview with Rithika Pandey. (ENG)

Technology as an Embodiment of Gaya: Indigenous Cosmological Futurism through Hagay Dreaming. (MD)

On Diamond Sutra: Beyond All Illusions. (MD)

2024 Whitney Biennial: Politics beyond Identity Politics. (ENG)

Silent Resistance Through Unease: Insoon Ha and Her Art Practice. (ENG)

2024 Whitney Biennial: Politics beyond Identity Politics. (ENG)

A New Transcendentalist Movement in the New Age: On Theater of Energies. (ENG)

Holding A Modern Coven to Resist Patriarchy & Competitive Culture: Emily Coan and Her Art. (ENG)

Archipelagic Plural Futures: Carlos Quijon, Jr. and His Curatorial Practices. (ENG)

A Navigation Chart to the Politics/Arts of Ecological Becoming. (MD)

Exploring the Method of Figuration in Posthuman Feminist Theories and Mystical Objects. (ENG)

Mystical Feminism: Prelude. (ENG)

Conductor as a Figurated Concept of Mass/Energy. (MD)

A Brief Introduction to Mystical Applications in Modern Taiwanese Art History. (MD)

A Cruise of Death and Rebirth: Forest of being Time, Exhibition of Taipei Fine Arts Museum. (MD)

Himali Singh Soin and the Four Spirituous Libations (ft. Artist Yi-Chun Lin). (ENG)

The Bardos in the Global Emotional Landscape: Interview with Hassan Khan. (MD)

On Rexy Tseng's Solo Exhibition Pain and Pleasure. (MD)

Reappearing Mystical Experience in Taiwanese Contemporary Art. (MD)

Expressions and Applications of Mysticism in Korean Contemporary Art. (MD)

Idealist Computer Algorism: On Cheng-Hsiang Liu's Solo Exhibition Build in Eyes, Form in Mind. (MD)

當日常成了荒謬、荒謬成了日常：防疫解方，請定時服用黃海欣黑色幽默

Demon or Exorcist? On The Modern Exorcist, Exhibition of Taipei Fine Arts Museum. (MD)

Workbook for Changing Perspectives: Conversation with Artist Lin Pei-Ying. (MD)

從 9/11 到 COVID-19．從占卜到 NFT．金氏徹平「塔」的變與不變

Event Horizon, Reincarnation, Psychoanalysis and the Absent Southeast Asia Futurism. (ENG)

On Ting-Jung Chen's Solo Exhibition: Harmonic Distortion. (MD)

On Chi-Yu Wu's  Atlas of the Closed Worlds. (MD)

In Nation’s Resistance to Modernity: Bhutan’s Contemporary Art. (MD)

We Have Had Never Been Modern: On 2020 Taipei Biennial. (MD)

Information Reconstruction in the Liquid Modernity: Review on Exhibition Liquid Love. (MD)

《超自然神樂乩》的求仙之旅：論文化情感與意義的劇場再現

自經驗至論述修補人類與自然的關係，《藝術觀點》81 期，頁50–57。

The Holy Mountain of Taiwan that You Haven't Been: On Sean Wang's Solo Exhibition. (MD)

On Chuan-Lun Wu's Solo Exhibition No Country for Canine. (MD)